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Similar translations Similar translations for "turismo rural" in English. English tourism sightseeing tourist office. English rural country countrified. Context sentences Context sentences for "turismo rural" in English These sentences come from external sources and may not be accurate. More by bab. Your feedback. I want to be informed about the update.

Email Your email is required if you wish to be informed about the translation update. Invalid email address. Cancel Submit. Hangman Hangman Fancy a game? Or learning new words is more your thing? Almost at the upper end of the street, on the left-hand side as we go up, there is the Santa Justa Elevator , so called because the transversal street in which it is built is called Rua de Santa Justa.

This is one of the "sights" of Lisbon and always compels great admiration from tourists from everywhere. It is due to a French engineer, Raoul Mesnier, to whom other interesting projects are also due. The elevator is all built in iron, but it is extremely distinctive, light and safe. There are two lifts, worked by electricity. Authority is needed to go right up to the top, above where the lifts themselves stop; from there a magnificent panorama is got of the whole city and the river. The elevator belongs to the Electric Tramway Company.

Pedro IV , commonly known as Rocio or Rossio. This is a vast quadrangular space lined on all sides except the North one by buildings of the Pombal type; it is the chief Lisbon centre, almost all lines of transport passing there.


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In the middle of the square stands the statue of D. This monument is one of the highest in Lisbon, being over 27 metres high. It comprises a stone base, a marble pedestal, a column of white marble, and a bronze statue. The lower part contains four allegorical figures, representing Justice, Strength, Prudence and Temperance, as well as the shields of sixteen of the chief Portuguese towns. North and South of this monument there are two ponds with bronze fountains, surrounded by flower-plots. On the North side of the square stands the Theatro Nacional Almeida Garrett , which dates from , and is due to the Italian architect Fortunato Lodi.

The front of this building is remarkable; it includes six monumental columns which were formerly part of the Church of S. Francisco da Cidade. The statue of Gil Vicente and those of Thalia and Melpomene are by Assis Rodrigues, on sketches by Antonion Manuel da Fonseca; the figures representing Apollo and the Muses by the same artist; while other figures, representing certain dramatists, and the reliefs figuring the four phases of the day, were sketched by Fonseca and worked by Assis Rodrigues. All these render the building very interesting. It is no less interesting inside, the theatre itself being a fine one, with a ceiling painted by Columbano.

The hall is also very fine. The station building faces the western side of the theatre. The clock at top is an electrical one, and connected with those inside the station.

On the ground floor are the ticket-offices for the general lines, an information bureau and a luggage clearance office. There is a lift for those who do not wish to go up the stairway to the top floor, which is in level with the railway lines themselves a perplexing circumstance for those who forget the hilly character of the city. Several doors give admittance to the station properly such. This top floor or pavement of the station is also reached by an incline going up from two points in Rua Primeiro de Dezembro; this is the approach chosen by carriages and motor-cars, which thus go right up into the covered space which leads into the top floor.

Within this covered space there is a postal and telegraphic office which is open up to the departure of the last mail-trains. We are now therefore right in the middle of Lisbon. The tourist, whether he has come by sea, or has stepped out here from the railway station, is now in the right place to choose his hotel, should he not be leaving that very day.

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As a matter of fact the chief hotels are situated in Rossio itself, or very near it. Once he has booked his rooms, the tourist will naturally walk out to see the city. Camillo and by other buildings. This market is very popular and lively; it is built in iron with a glass roof, and is made up of a large number of small shops and stalls, facing the streets and the inside of the building.

The best time to see it is in the morning when it offers an animated scene. Let us, however, take up our course from the point we had arrived at - the Central Railway Station. In the middle of this "square" we shall find the monument which commemorates the Campaigns of Restoration, which date from onwards. The monument, with base, pedestal and obelisk, is 30 metres high and is due to a design by Antonio Thomaz da Fonseca.

This obelisk was erected in In this "square" there are carriage, motor-car and motor-cycle with side-car stands. The Avenida da Liberdade i. It is 90 metres wide and metres long, full of trees from beginning to end, and includes small gardens, ponds, fountains, cascades and statues. It goes up in imperceptible incline and offers a magnificent perspective. Right at the beginning of the Avenida we find two marble ponds, one on either side of the mainway; further up there are, in the same manner, two fine cascades, girt round by luxuriant vegetation, the waters of which come from two figures representing the rivers Douro and Tagus.

A little higher up, on the right, we see a small but interesting monument to Pinheiro Chagas , an author and journalist; the monument represents him and also the heroine of one of his dramatic works. This monument was erected by the initiative of the weekly Mala da Europa in On the left-hand side, at the place where Rua do Salitre begins, the first stone was placed on the 9th April for the monument to be erected to the memory of these fallen in the Great War.

In front of this place, on the same side, is the Club Avenida Palace, and, at the back of this, with entrance by Travessa do Salitre, the Avenida Parque, where there are theatres and other popular amusements. The garden plots which follow on up the Avenida are closed by four marble statues representing Europe, Africa, Asia and Oceania.

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This is the site chosen for the erection of the monument to this great Portuguese statesman. It will be 36 metres high, commanding five large avenues which meet at that spot. The foundations rest on a rocky basis at a depth of 18 metres. There will also be seen numerous inscriptions describing the chief act: of the great reformer. The base of the monument will be of granite, the bowls and columns in coloured marble and gilt bronze, the statues and bas-reliefs in cast bronze, the statue of Lisbon in white marble, as also the trophies, the eagles and the support of the terminal group; the inscriptions will be in gilt bronze and in cast bronze the group which completes the monument itself.

From this spot great avenues stretch out towards the more modern quarters of the city. It was here that, from the early morning of the 3rd to that of the 5th October , those troops encamped which, under the command of Admiral Machado Santos, overthrew the Monarchy and proclaimed the Republic.


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The Ring has an area of square metres and holds people. Let us go on further, through the tunnel under the railway line; we come to another monument in course of construction. The site is at the end of this Avenue, and the monument is meant to commemorate the Peninsular War, which in freed Portugal from foreign domination, and in which so many Portuguese displayed remarkable heroism.

This monument will be one of the finest in the country. The monument will be about 16 metres high. The work of the two Portuguese artists represents Portugal as a castle; a pantheon of men who won renown, a coffer of relics that the people heroically defends. It alludes to the discoveries of Gama and Cabral, and markedly defines, in its aggregate, the patriotic sentiment that inspired it.

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In its lower part there are several groups of figures that symbolize: in front, the people in revolt, in fierce defence of its past glories; on the left, the effort and turmoil of war; on the back, a lion, popular strength, resting on the debris of combat; on the right, the ruins of humble dwellings, a sacked church, and a girl kneeling by her father, both weeping the ill fate that has come upon them. The tombs of Portuguese ancestors are also seen. The aggregate is crowned by an allegoric group - the Portuguese wresting their flag from the claws of the imperial eagle, to give it back to their own victorious country.

All the lower groups, and the pedestal, will be of white marble from Pero Pinheiro, and the chief group of bronze, cast in the Army Arsenal. We now enter one of the finest parks in the city - the Campo Grande , over a kilometre in length and about metres broad throughout. This was a field for military manouvres a good while ago, and it was Queen Maria I who ordered the first plantations to be made there. We find there valuable specimens of exotic trees, ornamental plants, flowers, etc. On the left, in front of this pond, which is commonly called Lagoa dos Barcos Boat Lagoon , there is the Jockey Club Hippodrome, a vast space admirably adapted to the purpose which its name described, as also for races of other sorts.

The course is metres long and it is 30 metres wide in its diametre from the starting point; there are three stands or tribunes, one for the President of the Republic, and two others, in reinforced concrete, being one for the members of the Jockey Club and another for the general public. The latter accomodates persons. The general standing space provides accommodation for nearly 60,, and there is a buffet and the due space for the race horses. The pari mutuel on the French system, is already instituted.

Contiguous to this field there will eventually be a Stadium, of the size of the Stockholm one, for the training of athletes for the Olympic Games as also for football matches, a polo ground and golf-links. The Jockey Club, which was established in July , owes its inception to the public-spirited initiative of a number of Lisbon sportsmen, who are thereby worthy of all praise. A few steps further on, the Chalet das Canas Cane Chalet is worth seeing; it is built entirely of all sorts of canes and tree-trunks, is adorned with oil-paintings, and contains hothouse plants, an aquarium and an adjoining garden with exotic plants of great botanic value.

This chalet was built under the supervision of a former administrator of the park gardens, Antonio Cordeiro Ohio.

The Campo Grande park is one of the most popular Sunday resorts; the crowd scatter's itself throughout the several lanes which have been artistically cut in the park, and it is frequent to see lively courses of riders and carriages in the left-hand side road. At the bottom of the Campo there is the football ground belonging to the Sporting Club de Portugal, and, as we go round and back, we shall see on our left the Dom Pedro V Poor-House, the Bordallo Pinheiro Museum, which is very curious, and the bronze monument to this famous national draughtsman a sculpture by Raul Xavier.

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Our motor-car now comes back again through the Avenida da Republica, crosses rapidly the Estefania Quarter, where the hospital of the same name is situated, and, traversing Avenida Almirante Reis, goes up to Senhora do Monte , a hill from the top of which one of the finest views of all Lisbon is to be had, either at night, or at sunrise or sunset. From the stone yard of this church a magnificent panorama of the city and river may also be enjoyed, almost as fine as the one from Senhora do Monte.

The front in seventeenth century Renaissance style, is simply magnificent, with its niches with images of St. Anthony, St.