e-book The Alchemy of Discourse - Image, Sound and Psyche

Free download. Book file PDF easily for everyone and every device. You can download and read online The Alchemy of Discourse - Image, Sound and Psyche file PDF Book only if you are registered here. And also you can download or read online all Book PDF file that related with The Alchemy of Discourse - Image, Sound and Psyche book. Happy reading The Alchemy of Discourse - Image, Sound and Psyche Bookeveryone. Download file Free Book PDF The Alchemy of Discourse - Image, Sound and Psyche at Complete PDF Library. This Book have some digital formats such us :paperbook, ebook, kindle, epub, fb2 and another formats. Here is The CompletePDF Book Library. It's free to register here to get Book file PDF The Alchemy of Discourse - Image, Sound and Psyche Pocket Guide.

Most helpful customer reviews on Amazon. August 6, - Published on Amazon. This book is an intellectual study of the profundity of the roots of words, and actually posits that the SOUND of those roots are actually part of what forms meaning. It is just fascinating! Go to Amazon. Discover the best of shopping and entertainment with Amazon Prime.

Prime members enjoy FREE Delivery on millions of eligible domestic and international items, in addition to exclusive access to movies, TV shows, and more. Your recently viewed items and featured recommendations. View or edit your browsing history.

  • Transatlantic Fling;
  • Hockeys Original 6: Great Players of the Golden Era!
  • Paul Kugler.
  • The Alchemy of Discourse: Image, Sound and Psyche by Paul Kugler, Paperback | Barnes & Noble®.
  • Product details?
  • La fine tragicomica della seconda Repubblica (Italian Edition).

Back to top. Get to Know Us. English Choose a language for shopping. The patient had become plagued by fears of being tortured by rats "Ratten". The man was disturbed over the installments " Raten " he had made on his father's gambling "spiel ratte " debts. He also had never recovered from the early death of his sister Rita , nor could he decide whether or not to marry "hei rate n" at the courthouse " Rat haus". Notice that in each case it is not the patient that speaks but, in and through him, "language" speaks, and his clinical symptoms, in fact his very nature, have become interwoven with psychic effects exhibiting the structure of language.

The patient has now become the substance subjected to the formal structures of language. Of particular interest here is the role transference plays in reconnecting the patient to the lost objects of desire. In the case of the "freedom fighter," the meaning images of the "good mother" and the missing "child" had become psychically lost, unconscious, and therefore imprisoned in matter through projection. The desire the patient experienced for the "library" was the desire to reconnect with her lost soul, which had become coagulated in physical realities literalized. The fixation resulted from the experience of her unconscious meanings emanating as a discourse of desire, ergs, from an object in the outer world.

The significance of desire is in the fact that it does not originate in the subjective psyche. It is not the subject that desires the soul in the world, but rather the soul that longs to be reconnected with the subject. In other words, it is not "we" who solicit the soul our other meaning images , but the soul that solicits us.

Our 'freedom fighter" was solicited by a radical articulation of her soul. In this particular case the articulation was not mediated through dream images or bodily symptoms, but through a transitional object: the library. But was it the actual object of reference that generated the desire, or was it the object's signifier its phonetic pattern?

The Alchemy of Discourse: An Archetypal Approach to Language - Paul Kugler - كتب Google

Here we are making the critical distinction between the actual object of reference the literal rat or library and the object's signifier the sound pattern "Ratte" or "library". To answer this question, we shall turn to the practice of alchemy. The early alchemists were deeply involved on a literal level with the process of transference. They developed the art of freeing that part of their soul which was "asleep" and imprisoned in matter.

The Alchemy of Discourse: Image, Sound and Psyche

The alchemical transmutation, the magnum opus , involved liberating those meaningful aspects of the personality that were unconsciously concretized through projection in the material world. The alchemical opus began with the prima materia. The actual identity of the prima materia was considered by many to be the most famous secret of alchemy. Ruhland, in his Alchemical Lexicon , lists more than fifty synonyms for the prima materia.

The fantasy content of the projection was referred to as the anima mundi , the soul in the world, while the "prima materia" was the substance in the world that carried the projected contents.

Ouroboros and the Alchemy of Shamanism

It is consequently impossible to specify a particular substance common to all alchemists. Hoghelande, in his text on alchemy, writes: "They have compared the 'prima materia' to everything, to male and female, to the hermaphroditic monster, to heaven and earth, to body and spirit, chaos, microcosm, and the confused mass; it contains in itself all colors and potentially all metals; there is nothing more wonderful in the world, for it begets itself, conceives itself, and gives birth to itself. Through a series of operations performed on the prima materia --for example, on salt, sulphur, or lead the alchemist actually worked on his own "salty" bitterness, "sulphuric" combustibility, or "leadened" depressiveness.

By means of concretely physical images, the alchemist simultaneously worked on the "soul" in "matter" and the "matters" in his "soul. For although the opus began with substances of nature, through the alchemical operations of fixation, condensation, sublimation, iteration, 13 and so on, these natural "substances" external objects of reference were transformed into psychic "substantives" internal objects of reference fantasy images. Meaning was extracted from matter, gold from the prima materia.

The true opus contra naturum was the transmutation within the alchemist himself of the natural perspective into the imaginal perspective, transforming the literal, naturalistic ego into an "imaginal ego" 14 capable of "seeing through" the material world imaginatively.

See a Problem?

But what actually is involved in the process of "seeing through"? This question can be approached linguistically by examining its acoustic version: "hearing through. How is the literal word transformed into the metaphoric word? The transformation of the literal into the metaphorical is the essence of dream interpretation. The process of interpretation begins with the literal-objective level of the dream and then moves to the metaphoric-subjective level.

The subjective level of interpretation approaches the same mother image as an expression of the person's psychic traits.

Additional information

She is a part of the dreamer, to be integrated or at least made conscious of the characterologic essence of motherness. Through the process of moving from the objective to the subjective level of interpretation, we have freed the polysemy of the sound pattern "mother.

Results for Daimon Verlag

The shift to the subjective level of interpretation now liberates an additional set of meanings attached to the same sound pattern, "mother," and yet referring to an entirely different object of reference: the internal mother image. As early as , Jung recognized the independence of the child's parental image from the literal parent.

He writes:. The movement from the objective to the subjective level of interpretation is possible only because the same phonetic pattern "mother" has two objects of reference, one external the literal mother and the other internal the metaphoric mother imago.

The interpretation moves back and forth between the external set of meanings and the internal set of meanings attached to the same sound pattern. The acoustic image is the crucial intersection between the external and the internal, between the literal and the metaphoric. This intersection between the objective meanings and the subjective meanings of the same phonetic pattern is fundamental to the practice of alchemy.

The magnum opus is a process which plays back and forth between the external and the internal meaning sets of the words signifying the objects of their work. While the alchemists were working on the soul in matter, they were simultaneously working on the matters of their soul. And the "solution" to these matters they sought in their "solutions. For example, the phonetic pattern "solution" Lat solutio on the objective level means and refers to "a liquid substance.

The intersection between internal and external meanings is particularly apparent in the polysemy of the following phonetic patterns:. Why should an alchemist seek the answer to his problem his "confused matters" in a liquid substance? Was he actually working on the literal, external object of reference or was he working with the inherent polysemy of the signifier the phonetic pattern?

Is the alchemist playing with substances or playing with words?

  • Product description;
  • In a Queer Voice: Journeys of Resilience from Adolescence to Adulthood!
  • Lorem Ipsum: Language and Its Nonmeanings.
  • Alice au pays des merveilles (des illustrations) (French Edition).
  • Larthrose - 100 questions pour mieux gérer la maladie (French Edition).
  • Navigation menu.
  • Silhouette: A Play in Two Acts!

The choice of a liquid as an object to project his unconscious "solution" into raises the question of what constitutes the "hook" for his projection. Is the hook an attribute of the external object of reference the physical substance or of the signifier, the sound pattern "solution"? Earlier in our discussion of the clinical cases we arrived at a similar question: Was the "freedom fighter's" fixation to the library and the "Rat Man's" obsessions about the rats precipitated by the external objects of reference or by the signifiers the sound patterns "library" and "Ratte"?

This question focuses on the extent to which the acquisition of language separates man from the material world the external objects of reference and initiates him into a shared archetypal reality: language. Through the acquisition of language the child is ushered into an archetypal matrix of meaning relations.

The importance of this linguistic entry into the collective unconscious cannot be overemphasized. For in acquiring linguistic competence, the infant Lat. The significance of the linguistic matrix lies in the fact that it is a system of unconscious meaning relations organized in advance of any individual ego. As such his personality exhibits the same polysemous structure psychologically many meaning complexes that his "mother tongue" exhibits linguistically. The acquisition of language, however, separates the child from the material world by allowing the individual to develop a system of phonetic patterns capable of replacing the actual objects of reference in the world.

For instance, through the acquisition of language the "Rat Man" developed the ability to substitute the phonetic pattern "Ratte" for the external object of reference: the literal rat. This phenomenon is made possible by the paradoxical status of a word, a presence made of an absence. For language allows us to evoke various experiences of an object of reference for example, the literal rat in the very absence of that object. We can speak about a rat, a library, a solution, and so forth, even though the actual object of reference is absent.

  • Prima materia?
  • ANIMALS ODD, Three Short Stories.
  • Your Job Survival Guide: A Manual for Thriving in Change?
  • The Alchemy of Discourse: Image, Sound and Psyche by Paul Kugler;

In this essay I have attempted to demonstrate that through the acquisition of language, man is separated from the material world external objects of reference and initiated into a shared archetypal system of meaning relations a system that collates meanings imaginally through a parity in phonetic values. Jung's early word-association experiments indicated that a lowering of consciousness shifts the linguistic mode of association from a consideration of the meaning concepts associated with the objects of reference to a consideration of the meaning concepts connected through phonetic parity to the object's signifier its phonetic pattern.

This process involves freeing the soul the meaning concept from its imprisonment in matter the literal object of reference. The acquisition of language enables man to take "matters" out of life and transform them into imagination. Shifting the linguistic mode from semantic to phonetic consideration transforms the material of the "day world" the objects of reference into the insubstantial poetic images of the "night world" image meanings collated through phonetic parity.